a MOOC on mysticism

Image

Today, I’m starting an online course via coursera titled Modern European Mysticism and Psychological Thought. It is run by Professor Jonathan Garb of Hebrew University of Jerusalem. It is wonderful to have these opportunities to study the latest scholarship and research from world renowned universities. This topic is especially close to my heart and I’m looking forward to it very much.

 

Advertisements

Concrescence

Concrescence is an Australasian web-based peer-reviewed journal. Peter Farleigh, a founding and current editor, seems to play a key leadership role in this initiative.

The journal has one article by the now late Charles Birch (died 2009): Environmental Ethics in Process Thought which is worth a read by those with a particular interest in these issues.

Also of interest for inter-religious studies is an article on Taoism by Zhihe Wang titled Harmonism: A Whiteheadian and Chinese Approach to Inter-Religious Dialogue.

 

 

A Ghost doth invade the Forecourt of Maths

It’s not what you’d expect to find on the first page of a book titled “An Introduction to Mathematics”. There, immediately, the ghost from Shakespeare’s Hamlet makes his dramatic entrance. Whitehead is known for the frequent literary references in his writings even when the topic is as dry as maths or theoretical physics.

Image

Alfred North Whitehead:
An Introduction to Mathematics

Perhaps Whitehead means to make a point that maths can be as fascinating and drama-filled  as any historical saga of princes and villains and threatened kingdoms.

The references are to the first scene of the play and Shakespeare Online offers a nice commentary on the ghost, which begins with:

“The ghost in Hamlet no doubt performs an important dramatic function. Whatever may have been Shakespeare’s belief about ghosts he utilizes the popular conception to render objective what is in the minds of his characters.”

The key idea here is “render objective”. A belief, which is an internal subjective thing, is rendered objective when it is thrust “outside” as a ghostly figure in a story. And this is also what happens every time we put pen to paper or text to a web page. We render what is inside into a form that is visible outside.

Which is, of course, what I’ve just done!